摘要：敦煌壁画中的人物造型，在绘画中是最重要的，宗教绘画是艺术之神，与神（这里指的是佛，菩萨，佛性）的现象是与老百姓密切相关。在人类历史上，不同的宗教信仰总是想象各种超越自然人离奇古怪的神。但是，想象奇特的神，当人塑造神的形象。所以，神，实际上是人的力量和智慧，理想的结果。在视觉图像的最终性能，仍然是人的形象。通过对敦煌壁画的特征研究，对人物造型艺术特征的中国舞蹈文化的价值和作用。
关键词 唐代，敦煌壁画，人物造型，艺术特点
ABSTRACT:Dunhuang 。character modeling is the most important in painting, religious paintings is the God of the art, and God (here refers to the Buddha, Bodhisattva and Buddha nature) image is always closely related to ordinary people. In human history, different religions always imagine all kinds of beyond natural person droller gods, however, to imagine how strange gods, when the people to shape the visual image of God, has not completely out of the image of the people, because in the social life, able to communicate, communicate with people, lives together, is still human. So, God is actually the person's strength and wisdom to the ideal results. In the final performance of the visual image, is still the image of man. Through the research on the Dunhuang murals characters, value and effect on character modeling art characteristics in the Chinese dance culture in.
Keywords： Murals characters，Artistic characteristics
