摘要：彭浩翔的电影，创意天马行空，彭浩翔的所有作品均是自己编剧，编剧出身使得他非常注重剧本和电影的可看性。生在香港这个时刻变化着的都市的彭浩翔，也关注着处在变化中的人的生活，他的剧本创作灵感常常来自社会关注的热点事件，或者身边朋友的趣事，这也使得彭浩翔的电影充满了生活感。正如彭浩翔所说，他的电影故事的底蕴，常常很具香港的核心价值观——“凡事尽皆过火，一切尽是癫狂”。
在他的电影里，充斥着各种黑色幽默，杀手、嫖客、毒贩都是导演，男人和女人如警匪片一般处理着男女关系，女人在厕所里谋划着杀死全世界的男人，还有类似于“分歧终端机”这样的有趣片段。而在这些夸张的黑色幽默背后，隐藏的是在时代和社会变迁中的香港普通人的生活状态。
关键词：彭浩翔；香港电影；黑色幽默；变迁；价值观
Abstract：Pang Ho-cheung's film, creative ideas are all works of Pang Ho-cheung's own playwright, screenwriter, was born he attaches great importance to the script and the film worth watching. Born in Hong Kong this time changing the city's Pang Ho-cheung concern in changing people's lives, his script writing, inspiration often comes from the hot issues of social concern, or close friends interesting, Pang Ho-cheung movies full sense of life. As Pang Ho-cheung said, his film of the story background, and often very core values of Hong Kong - "All things depart too far, in every mania".
In his film, filled with all kinds of black humor, killer, their clients, drug dealers are the director, men and women such as the gangster film in general dealing with the relationship between men and women, women planning to kill the man of the world in the toilet, there are similardifferences terminal interesting fragments. Exaggerated black humor behind, hidden state of the times and social change in the lives of ordinary people in Hong Kong.
Keywords: Pang Ho-cheung； Hong Kong Film； Black humor； Change； Values
对于彭浩翔来说将不同的感觉有意识地杂混在影片中，常规故事被他“玩”出了不一般的喜剧花样和黑色风格。同时在荒诞搞笑的娱乐狂欢之下，彭浩翔巧妙地赋予了对当下香港社会文化的个性诠释。跟许多注重另类题材和边缘价值的青年导演作品不一样，彭浩翔电影是一种非常特别的另类与主流的有机混合体。在貌似另类边缘的叙事和影像风格下，正面的主流价值观念一直自觉地映现其间。
