摘要:《火把节之夜》创作于1979年,他是琵琶演奏家吴俊生先生接受四川音乐学院的陈济略教授提出的设想,将琵琶的四根弦之间的音程全部变成纯四度,运用D调(3、6、2、5)定弦创作的,具有浓郁的彝族音乐特色。本文通过对我国少数民族彝族的传统节日“火把节”的阐述,以及对四度定弦的分析,分三大段对《火把节之夜》这首曲子进行演奏技巧的论述。
关键词:火把节之夜; 四度定弦; 吴俊生; 演奏技巧
Abstract:《Torch Festival Night》was created in 1979 by the pipa player wu junsheng who accepted professor of Sichuan music Conservatory Chen Jilue’s idea.It turns the interval between four strings into pure degrees, and use D (3、6、2、5)to write.And it was also rich characterized by Yi music feautures. Based on the exposition of traditional festival “Torch Festival”of the Yi Minority and analysis of the tuned up fourth tune,this paper discussed the playing skills of the song《Torch Festival Night》in three main segments.
Keywords:Torch Festival Night ; fourth tune stringed instrument; wu junsheng;performing skills
火把节是我国西南地区白族、彝族、纳西族、哈尼族等少数民族的共同的节日,作为一个民族节日它往往是许多种文化的集合体。所以,部分反映民族文化的文艺作品大多数会借用这些元素,吴俊生的《火把节之夜》就是一首这样的弹拨乐曲。本文对《火把节之夜》的创作背景以及其独特的风格艺术、还有演奏技巧进行梳理。