摘要: 敦煌舞中的“三道弯”舞姿形态是敦煌舞得以沿革和再创作的核心特征，它脱胎于对敦煌壁画中的舞蹈画面的理解与解读，进而成为了抓住壁画画面由静态成为动态的关键。
本文从"三道弯"姿态的审美内涵及历史意义着手，探讨“三道弯”在舞姿造型中的具体体现以及舞蹈中运动轨迹与“三道弯”整体轮廓的交织特点等，对于进一步理解敦煌舞的核心特征以及进一步增强对于敦煌舞的创作、表演，具有一定的理论价值和实际意义。
关键词: 敦煌舞，三道弯，舞姿形态
Abstract:"three curved posture" form of Dunhuang dance is core feature for Dunhuang dance to its History and re-creation, which grew out of the understanding and interpretation of the Dunhuang frescoes, and then became the key how static dance screen became dynamic .
This paper begins from "three curved posture" `s aesthetic connotation and its historical significance to explore the "three curved posture" embodied, dance trajectory and "three bends" intertwined in the overall outline of the characteristics of the shape of the dance, etc. For further seize Dunhuang dance`s core features and further enhance the Dunhuang dance creation, performance, it has some theoretical value and practical significance.
key words: Dunhuang frescoes, re-creation, dynamic and static
