摘要:日本动画中大量的毁灭性情节这一特点，是与日本自身地理特点历史文化密不可分的。可以说是独特的客观地理状况造就了他们特殊的民族历史特征，又是由于这样的文化基底打造了具有深刻民族特性的动画产业。
巧合的是，在日本动画大力发展的时候又与战争重合。战争带来的负面影响和由此引发的对人性、灭亡、政治等等话题的反思探索则深深渗透到动画——这个日本民族异常热爱的艺术表现形式中。这一点也解释了为什么在日本动画中有如此多的有关毁灭、拯救的题材。
特定的地理历史文化赋予了日本动画特殊的内涵，动画的发展离不开现实的滋养。只有来源于现实并高于现实才能得到壮大。中国动画事业也要根据自身现实特点，民族心理来调整发展，不要一味追逐他人脚步，模仿别人是难以成功的。
Abstract:Many plots describing the scenes of destruction in Japanese cartoons are closely connected with the country’s geography, history and culture. That is to say, the specific geographic conditions contribute to their distinguishable historic characteristics of their nation, and accordingly, such a culture shapes the cartoon industry into one which is deeply impressed by Japanese qualities.
Coincidentally, at the initial period of its development, the cartoon come across wars. The negative impacts the wars had on it and the contemplation over humanity, extermination and politics are profoundly involved in Japanese cartoons, which efficiently convey Japanese favourite arts. Thus, no wonder Japanese cartoons focus most of their attention on the topic of extinction and rescue, and they have made great achievements. In particular, the geography, history and culture endow Japanese cartoons with special meanings. It cann’t be denied that cartoons are nourished in the reality. Only when cartoons come from the reality and go beyond the reality, can they get themselves fully developed. Therefore, Chinese cartoons are supposed to adjust their directions in accordance with their realistic characters. As far as I am concerned, to follow and imitate others’ pace blindedly, is not an ideal choice that will make significant progress and long-lasting development.
