[摘 要] 作为唐代诗歌的革新者，陈子昂有着伟大的政治抱负和文学才能。陈子昂将他的革新理论贯穿在以《感遇诗》为代表的诗歌创作中，其诗歌创作的主题来自他政治上的渴望报国、针砭时弊，但却怀才不遇、报国无门；其诗歌创作的抒情艺术体现为：直抒胸臆，锋芒毕露；借古讽今，感慨苍茫；比兴寄托，寓意深远；诗风刚健质朴。陈子昂的诗论和诗作对当时和后世都产生了重要的影响。
[关键词]陈子昂； 文学理论； 风雅兴寄； 汉魏风骨
[Abstract] As the tang poetry innovators, Chen ZiAng has a great political ambition and literary talent. Chen ZiAng will his revolutionary theory throughout the feeling when poem ", as a representative of the poems, the theme of his poetry writing from his political desire to serve the country, the unhealthy tendencies, but unsuccessful, BaoGuoWuMen; His poetry writing lyric art embodied in: their poems, propriety; JieGuFengJin, diffused feeling; Describing the hopes and profound; Poetic style virile plain. Chen ZiAng's poetics and the poems that time and later against has exerted an important influence.
[Key words] Chen ZiAng; Literary theory; the elegant and send; Mavens ham
他，被李太白称为“麟风”；他，被杜子美赞为“雄才”；他，被岑仲勉道为“奇人”；他便是“大唐文宗”——陈拾遗子昂。或许有人心中会激起了这样的疑问：从初唐四杰的王杨卢骆，到中国诗坛的双子星李白、杜甫，再到晚唐的小李杜，唐代诗坛群星闪耀，何以将陈子昂誉为“文宗”呢？只因为他以一首《登幽州台歌》名闻古今中外，以一篇《与东方左史虬修竹篇序》扛起以复为变大旗，以百二十余首诗奠定文坛地位。而在陈子昂一生创作的诗歌中，以《感遇》诗38首最具代表性，被清代大诗人沈德潜称为：“感于心，困于遇，犹《庄子》之寓言，与感知遇之意自别”。它是陈子昂复古革新的理论实践，也是考察陈子昂思想和艺术的重要资料。
