摘要:《周易》作为中国传统美学的源头。它所开创的天人合一、阴阳和谐、隐喻象征、直觉体悟等思维方式为中国美学开启了东方传统，使其成为中国传统美学思维的源头。在我国古代由于中华民族思维模式和思想习气不同，各种各样的社会意识形态往往杂乱在一起，很难分清，《周易》可谓是一个特例。《周易》初系卜盆之书，但后世多“取其义不取其占”，多数只是把它作为一部哲学著作，而“《周易》与天地准，故能弥纶天地之道”(《周易·系辞》)，同时又包含了其他诸多学科的内容，其中包含了丰富的审美意识，并揭示出不少审美规律，在本文中我们从《周易》所阐述的思维方式 入手，探讨其对后世艺术作品审美追求的影响。
关键词：周易，美学，思维方式
ABSTRACT:"Book" as a source of traditional Chinese aesthetics. It pioneered Heaven, yin and yang harmony, metaphorical symbolism, intuitive way of understanding the thinking of Chinese traditional oriental aesthetics opened, making it the source of Chinese traditional aesthetics thinking. Since ancient times in our national thinking and thinking habits, various social ideologies are often mixed together, it is difficult to distinguish, "Book" can be described as a special case. "Book of Changes" at the beginning of the book series Bu pots, but later many "whichever whichever is accounted for righteousness is not" most just use it as a philosophical works, and "" Book of Changes "with the world standards, it could be Mi-lun of Heaven and Earth." ("Book copulative"), but also contains the contents of many other disciplines, which contains a wealth of aesthetic sense, and reveal a lot of aesthetic rules, in this paper we start from the way of thinking "Book" elaborated, explore its impact on future generations of art aesthetic pursuit.
Key words：Book of Changes, aesthetics, ways of thinking
