[摘要] 王安忆的小说一直徘徊在乡村与城市之间。但是,其20世纪90年代中后期的作品发生了明显的转变。其作品仿佛在有意回避描写大上海的风花雪月,刻意拉开与那些老上海故事的距离,也一改以往作品中以苏北乡村为背景的叙述。创造了另一类截然不同的乡村世界。于是提出如下几个问题:王安忆创造了怎样一个截然不同的“乡村”世界?为什么会出现这样的“乡村”?在最近二十年来的文学变迁的大背景,它有什么意义? 文章依次对上述问题作出了或详或简的回答。
[关键词] 王安忆 乡村书写 富萍 上种红菱下种藕
[Abstract] Wang Anyi's novel has been hovering between country and city. But, the 1990’s work there has been a marked shift. Her work as if to avoid description the romantic affair in great Shanghai, and avoid those old Shanghai started deliberately story. She also change the works which based on the background of the rural in the north of Jiangsu province. She Creates another type of very different countryside. Then it puts forward the problems: What totally different "country" that Wang Anyi created? Why she created such a "country"? In the last twenty years the transition to the background of the literature, what does it mean? The article will answer the above questions.
[Key words] Wang Anyi Rural writing Fuping On the latter magnesite lotus root
王安忆的小说一直以城市和乡村为背景。其小说的创作题材、叙事模式、语言风格等都很难被某一种文学思潮概括和界定。她出生于内地,生活在上海,在进行上海都市书写的同时,却又不断地眷顾、回望乡村,持续不断的进行乡村书写。在新时期文学的每一个阶段,王安忆始终是一个活跃的作家,在文学浪潮的每一次风起云涌时,总能以出色的作品跃居风头浪尖,获得读者和评论家的瞩目和好评。
20世纪90年代中后期的王安忆,其小说在题材上笔锋一转,这些作品仿佛在有意回避描写大上海的风花雪月,刻意拉开与那些老上海故事的距离,也一改以往作品中以苏北乡村为背景的叙述。向读者们展现了一个又一个截然不同的“乡村”。