[摘要]常州派以寄托说相号召，强调词的深层意蕴，词风恬淡，笔致灵活，主盟词坛百年。而《茗柯词》作为张惠言的作品集，在清代词史上也历来有极高的地位。《茗柯词》共四十六首。本文以《茗柯词》创作文本为研究对象，将文本研究作为考察基点，重点对《茗柯词》的内蕴和艺术特色进行比较细致和综合的分析。在《茗柯词》大量的春词中，内容主要有两点，一是诗人描绘了丰富的物事，二是抒发了深刻的情怀。张惠言在创作中最主要的创新和拓展,是将其细致精微的词人感受与其精湛的儒家修养巧妙结合起来,为词这种文体所写出的一种前所未有的意境。
[关键词] 张惠言 《茗柯词》
[Abstract] Changzhou genre base the creation theory of Ci on entrust, lay stress on deep meaning with tranquil style and flexible writing technique, which has been the leader of Ci for hundreds of years. Ming ke Ci, as sample reels of Zhang Huiyan, has been enjoying high position in the history of Qing. There are forty-six poem in Ming ke Ci In this essay, the writer will set the creation text of Ming ke Ci as research object, regard the text research as investigation basis and put emphasis on comparatively meticulous and comprehensive analysis of implication and artistic character. In many works of Ming ke Ci, there are two points in implication: the first is the matter and business the poet portrayed, and on the other hand is the feelings the poet expressed. The main innovation and development Zhang Huiyan introduced in his works is that he ingeniously combined his profound and suttle feeling with exquisite Confusion culture, which, creates a kind of poetic imaginary that is unprecedented.
[Key words] Zhang Huiyan Ming ke Ci
中国千年词史，形成于唐，发展于五代，造极于两宋，衰落于元明。清人则起衰救弊，使其复臻繁荣。晚清词学大家文廷式认为“词的境界，到清朝方始开拓”。朱祖谋也说“清词独到之处，虽宋人也未必能及”。叶恭绰同样认为清代“实是词的中兴光大时代”。清代词家辈出，作品数量巨大，而且词人空间分布的扩展，表明词在社会生活中的影响较过去为大，所以边远地区的文人也以倚声填词为风流雅事。清词从内容上看比前代更具丰富性，词自产生以来，均以表现词人自我生活遭际和精神世界为主，而清词中有大量的朝代更替与国破家亡之感，而且更关注底层人民。最重要的是，清代出现大量有着强烈自觉意识和鲜明词学主张的实体性文学流派和群体。这些流派和群体有特定的流行空间和自觉认同的创作观点，所以清词流派大多按地域命名。影响较大的是以陈维崧为代表的阳羡词派，以朱彝尊为代表的浙西词派，以张惠言为代表的常州词派。这其中，又以常州词派为最。
常州派以寄托说相号召，强调词的深层意蕴，词风恬淡，笔致灵活，主盟词坛百年。而《茗柯词》作为张惠言的作品集，在清代词史上也历来有极高的地位。《茗柯词》共四十六首。本文以《茗柯词》创作文本为研究对象，将文本研究作为考察基点，重点对《茗柯词》的内容和艺术特色进行比较细致和综合的分析。
