摘要：一直以来，摄影与绘画有着千丝万缕的联系。引发了许多的争议，也引来了许多学者研究两者间的关系。而在后现代摄影的作品中，也能够发现摄影与绘画间相互渗透的影子。为了研究后现代摄影与绘画之间的关系，文章除了从后现代摄影自身的发展,以及创作手法中探索绘画的元素外；更选择了后现代艺术家大卫·霍克尼的拼贴照片作为研究对象。通过对其作品的分析、探究，来挖掘摄影与绘画间的微妙关系。
关键词：后现代摄影 绘画 拼贴摄影
Abstract：All along, photography and painting are inextricably linked. Caused a lot of controversy, but also attracted many scholars to study the relationship between the two. Works in the post-modem photography, photography and painting can also be found in the shadow of mutual penetration. In order to study the modem relationship between photography and painting, in addition to post-modem photography from its own development, and creative techniques to explore the elements of painting. Also selected the representation of post-modem artists David Hockney’s photo collage as research subjects. Through the analysis of his works to explore, to dig between photography and painting the delicate relationship.
Key words: post-modem photography painting collage photography
大卫·霍克尼的实践引导着人们从不同的艺术门类中汲取营养。艺术家不应该局限于单一的创作方式，要勇于尝试新的创作手法，抛开成见，忠于自己的情感表达。就像摄影与绘画之间的相互结合与渗透，在这个视觉艺术多元化的时代，对当下的艺术活动来说无疑是很好表达方式。人们注重的是作品的视觉效果和极具可辨性的思想表达，而不再是关心这属于哪类艺术形式。
