摘要：“达达主义”最初是20世纪初在欧洲瑞士兴起的一种激进的、并带有强烈的虚无主义色彩的文艺思潮。达达主义在创作中废除传统文化、挑战传统美学形式，并试图藉此来发现真正的现实。1918后达达主义的风潮便逐渐蔓延到摄影领域，出现了一些达达派的作品。但是这些达达派的作品往往内容晦涩、含义不清，甚至画面结构怪诞，这些都不符合大众长期以来所形成的审美习惯、审美趣味以及价值取向，加之达达摄影也没有形成自已的理论支持，故而没过几年达达派摄影就被“超现实主义摄影”所取代。达达派的最突出的两个特点就是暗房和拼接技术的运用。达达派的作品大多是将印刷品碎片再加上其他的实物影象进行拼凑粘贴之后再进行翻拍而成的，这种看似杂乱无章的拼接却显示出一定的规律性，体现着摄影视觉中的“秩序”之美，值得我们在今后的摄影中加以借鉴和使用，本文将对达达派摄影进行简单的评析，并对其最主要的创作特点——拼接进行探讨和评析，以期今后能够借鉴和运用拼接和暗房技术指导摄影创作。
关键词：达达摄影；拼接；
Abstract："Dadaist" was first in Europe in the early 20th century Swiss deeloped radical, and with strong nihilism colorific literary and artistic ideas. In order to create the dadaist abolish traditional culture, challenges the traditional aesthetic form, and tries to find out the true through which to reality. 1918 the agitation after dadaist then gradually spread to photography field, appeared some dada pie works. But these dada pie work often content obscure and meaning not clear, even the picture structure weird, these are not in line with the long by the formation of the aesthetic habit, aesthetic taste and value orientation, plus dada photography also does not have the form his own theory support, so in just a few years by dada pie photography "surreal photography replaced. The most prominent dada sent the two characteristics is the use of darkness and stitching technique. Dada pie works are mostly will print fragments plus other real images are piecing together again stickup after a reversioning, this seemingly desultorily stitching it show a certain regularity, embodies the photography in the vision of "order" beauty, is worth us in future photography to reference and use, this paper will simply to dada pie photography, and its analysis the main composing characteristics - joining together to discuss, and analyzes the future can reference and use joining together and darkroom technical guidance photography creation.
Key world: Dada photography; Joining together;
