摘要:简.坎皮恩，新西兰著名女导演。出生于新西兰的惠灵顿市，母亲是剧作家和演员，父亲则是剧场导演。成长于这样的家庭，简.坎皮恩很自然的也投向艺术的怀抱。她在70年代完成了从建筑艺术、视觉艺术向电影的转行，并最终凭借一部出色的短片进入澳大利亚电影电视学习。
简.坎皮恩的所有电影都在表现那些游离于或被抛弃到社会主流之外的女性。她细腻地刻画她们的与众不同以及拒绝或不能顺从的原因。于是她的电影常常被贴上女性主义的标签。在简.坎皮恩作品中比较典型地反映了女性导演作品对现存的男性本位社会的冲击，反映了一位女性导演作品在意识形态层次所起到的颠覆作用。本论文主要研究的是简.坎皮恩作品的题材特征，以及她作品中的女性形象，从而了解她的电影美学风格，以及分析其他电影中女性形象的塑造。通过她的作品从而表现女性内心的情感，从而探索女性与文化、与社会的关系等。
关键词： 女性觉醒意识，简.坎皮恩电影，女性主义电影，颠覆
Abstract:Jane · Jane Campion, New Zealand famous female Director. Born in New Zealand Wellington, mother is playwright and actor, father is a theatre director. Grew up in the family, Jian Kan also to embrace art of the city of Pienza is natural. She completed in 70 from switch of architectural arts, Visual Arts, film, and end with a superb job of vignettes into Australia, film and television studies.Jian Kan city of Pienza in all of the films are free to be abandoned or to women outside the mainstream of society. Her fine characterizations of their different causes and refuses or is unable to comply. Her films often being labelled a feminist label. In Jane Campion's works female Director works typical of the impact on the existing male-oriented society, reflects a woman played by the Director's work at the level of ideology to Subversion。This paper is a study of Jane Campion works in the theme features. , and her female characters in his works, to understand her style of film aesthetics, as well as the shape of the other female characters in the film. Through her work as a demonstration of female emotions inside, thereby exploring women and culture, and social relations.
Key Words：Female awakened awareness, jane campion’sfilms, Feminist film, subversion
