[摘要] 顾城是我国朦胧诗派的代表人物，他的诗歌以童话诗最具有代表性。在这篇论文中，我从顾城的创作心理，他所构建的童话世界，以及顾城最终走向的迷途三个方面来分析顾城的童话幻梦。从而可以看出顾城最终走向迷途离不开自身的心理变化，这些都在他的不同时期的作品中体现出来。最终得出了一个结论，顾城的诗歌以孩子的视角来描写他所观察到的一切，把孩子的童真和成人的深刻完美的结合在一起，尽自己的全力用诗歌构建自己的童话王国。他所构建的童话王国有谢烨和英儿，也有自然界的万物，这是他赖以生存的基础，一旦这个基础不存在了，顾城的精神也就崩溃了，童话王国也就崩塌了。
[关键词] 顾城 童话 创作心理 悲剧
[Abstract]Gu cheng is a represent person among hazy poem trend in China, whose poems are famous in fairy tale poems. In this paper, the author mainly analyze the dreams of Gu cheng from his creation psychology, and the fairy world he built, and his road chosen by him finally. Therefore, his psychology change is the main reason of his final mistake, which is shown in his works during different periods. To conclude, his poems describe what he has observed from child’s view, combing the children’s innocence and adults’ impression perfectly, and he spares every means to construct his own fairy world where owns Xie ye, Yinger, and everything in the world. It is the base of his living. Once it disappears, he would collapse, so does his fairy word.
[Key words] Gu Cheng, fairy tale, creation psychology, tragedy
从顾城的诗歌中我们可以看出顾城的童话王国走向幻灭是有一个过程的，从一开始的努力构建，到中间的添砖加瓦、装修建造，到后来的幻灭，这些都离不开顾城的创作心理的作用。童年的记忆给了顾城很大的阴影，他逃避现实，逃避外界的一切，沉浸于自我的世界。而他自己的世界与外界是格格不入的，注定了他的童话世界是要幻灭的。英儿和谢烨的离开成为了他童话世界幻灭的催化剂，加快了童话王国的坍塌，让顾城失去了理智，最终导致了悲剧的发生。顾城，朦胧诗的代表，对于他的诗歌，我们无疑是欣赏的，而对于他的人生，他的悲剧我们也只能说是可惜的，童话终究还是童话。
