摘要
贾樟柯作为第六代导演的领军人物，其影像风格对当下电影发展有重要意义。他的《故乡三部曲》更是以旁观者的视角抒写了一代年轻人真实的生存状态，其中对流行文化元素的展现十分突出。本文主要分为两大部分，第一部分论述八十年代后流行文化元素与贾樟柯的《故乡三部曲》的联系，以了解贾樟柯对特定时代流行文化的记忆。第二部分着重通过对贾樟柯《故乡三部曲》中的流行文化元素进行分类探析，从各种流行文化在电影中呈现的方式深入把握流行文化元素对人物情感的诠释，对叙事画面的转换及对主题的揭示等功能。
关键词：《故乡三部曲》；流行文化；流行音乐；流行服饰；娱乐场所
ABSTRACT
As the leader of the “sixth generation” directors, Jia Zhangke’s style of contemporary film development to have the vital significance. His “hometown trilogy” is a third-person perspective describes a generation of young people in real life state. Among the popular culture show is very outstanding This paper is divided into two parts. The first part discusses the links between elements of popular culture after the 80 s and “hometown trilogy”, in order to understand the particular time of Jia told the memory of popular culture. The second part focuses on “hometown trilogy” in the classification of elements of popular culture. To grasp the function of popular culture on the interpretation of the characters emotions, convert the narrative picture and revealing the theme from the presentation of a variety of popular culture.
Keywords: hometown trilogy; popular culture; pop music; fashion; entertainment places
