摘要：在中国现代文学史上，张爱玲是一朵奇葩，她并没有过多的阶级立场来控诉整个时代给下层劳动人民带来的悲惨生活，也没有用血泪控诉黑暗社会中人们的麻木，而是像一个旁观者一样，冷冷的看着世俗社会中的小人物的生与死，悲与欢，离与合。她用凄切的文笔叙述了一个又一个生活在情与爱，愁与恨中的悲剧女性。这些女性既普通又极具有代表性，时代的烙印深深地在她们身上种下了一个个“悲剧”的胎记，她们朝着命运既定的悲剧人生一步一步走向终点。
关键词：张爱玲； 女性形象； 悲剧
Abstract: Eileen Chang is a brilliant talent in modern Chinese literary history. She didn’t charge the whole time of miserable life of people in lower class with much class attitude, nor did she accuse the numb people in the dark society with much tears of blood.She was just like a spectator, looking at the birth and dead, sadness and happiness, separation and reunion of small potatoes in the secular society. She described tragedy women living in affection and love, sorrow and hate one after another, with her mournful style of writing. These women were ordinary but also representative, they walked step by step towards the end of their tragdey life which was decided by desting, with one and another birthmark of “tragedy”deeply printed by time.
Key Words: Eileen Chang； women； tragedy
张爱玲能取得如此辉煌的成就，不仅是因为她在文学上深厚的造诣、华丽的词藻，丰富的想象，创造性的突破给我们读者带来独特的艺术享受，更主要的是缠绕着她文笔的一种特有的女性悲剧，才成就了张爱玲作品的悲剧美，苍凉美，永恒于文化长河。
本文以整体的眼光纵观张爱玲的创作全貌，呈现其笔下的女性悲剧，探讨其小说中的女性悲剧形成原因，品味独特的文化意义和价值。
