摘要：作为一种写作题材，“女扮男装”现象不仅有着深厚的历史文学积淀和深远的文学创作传统，而且也是具体的时空范围内的社会文化、文学思潮等因素的综合产物。至明清时代，“女扮男装”题材的创作达到高峰。其中徐渭和陈端生分别塑造了黄崇嘏与孟丽君这两位女状元来倾吐现实中的郁郁不得志。由于男女作家在创作上的种种差异也使得黄崇嘏与孟丽君走上了两条不同的人生之路。但是，最终两人还是殊途同归——在封建社会，女扮男装的女状元们终究是要走上一条穷途末路。
关键词：女扮男装； 女状元； 徐渭； 陈端生
Abstract: The topics for writing as a "disguised as a man" phenomenon not only has deep historical and literary heritage, and far-reaching literary creation tradition, but also the specific time and space within social, cultural, literary trends and other factors the integrated product. To the Qing era, the creation of "Disguise" theme reached its peak. Where Xu Wei and Chen Duansheng shaped Huang Chonggu and Meng Lijun, two female champion to pour out the reality of their baffled. Because all the differences of men and women writers in the creative Huang Chonggu and Meng Lijun embarked on a two different way of life. But in the end they still the same thing - in a feudal society, the female champion who dressed as a man after all, is to embark on a dead end.
Keywords: Disguise; female champion; Xu Wei; Chen Duansheng
