摘要：诗词与小说这两种体裁的互动关系是古典小说中十分值得关注的角度。较之鸿篇巨制的长篇白话，话本、拟话本小说虽篇幅短小，但诗词的引用却更为普遍且章法明确，诗词在小说中所体现出的独特叙事功能更是其难以比拟的。“三言二拍”奠定了话本小说的结构体制，是中国古代话本小说发展的最高峰，代表了古代白话短篇小说的主要成就。本文从典型入手，意在从“三言二拍”中诗词征引的方式、位置、功能等方面探究小说夹带诗词这一文学现象。
关键词： 三言二拍；诗词韵语；拟话本
Abstract: In classical novels,the interactive relationship between poetry and novels should be attached great importance.Comparing with those voluminous novels written in modern Chinese,scripts of story-telling and novels written in the style of scripts for story-telling,though short ,are more likely to cite poetry.Therefore,they have a clearer system of rules to be followed .In addition,the unique role poetry plays in narrating in novels is incomparable. "San Yan Er Pai" has laid a solid foundation for the structure of scripts for story-telling,serving as the peak during the development of novels in China.It also represents the major achievement of short stones written in modern Chinese in the ancient times.By studying some typical cases from the"San Yan Er Pai",this paper pays attention to the methods,location and functions of the poetry-citation so as to do deep research on the literary phenomena of poetry-citation in novels.
Keywords：san yan er pai；poetry；novels
在中国，诗词进入小说的传统由来已久，这种诗歌与小说相结合的文学创作是中国古典小说的一大显著特色。冯梦龙与凌濛初二人在创作中遵循了古代小说长久以来形成的征引诗歌的传统，并且，仅就引用诗歌的数量而言就超过前代颇多。在"三言二拍"中,每篇都会有诗、词、赋或其他韵文出现,且这些诗词韵文在小说中具有重要作用。[1](p5)此外，“三言二拍”中所引诗词在位置、形式、功能等多方面都呈现出一定程度上的规律性特点。
