摘要:电影的奇观是指通过大银幕展示的与日常生活经验存在巨大审美距离的影像。80年代后，奇观理论成为业界关注热点，究其原因是该理论同时具备社会批判和视觉文化批评的双重性质。实际上，“奇观”作为人类生存的心理诉求在社会实践中形成，若应用于艺术创作，“奇观”理应具备更丰富的肌理韵味。就华语电影而言，奇观化的本土引入深受中国传统文化和现实因素影响。
导演姜文在中国电影界的意义独树一帜。尤其当下市场投资与票房回报成为主创人员不得不顾虑的纲纪伦常时，姜文却以他一贯的自信纵横于个人成长经验的创作快感之中。姜文作品超凡脱俗、令人震颤，在视听声画、故事文本、叙事技巧、表情达意四个层面呈现出精品电影思想性、艺术性与观赏性的统一。观众在感受强烈视听冲击和刺激心理体验的同时，也引发对于意识形态、价值观念、生存状态等方面的反思。姜文导演作品是华语电影的里程碑，敦促人们重新思考奇观化电影的本质、理想及其传世意义。
关键词： 姜文 奇观 语境 启示
Abstract:Spectacle movie refers to through the big screen display there is a huge image of aesthetic distance and everyday life experience.After 90 s, the spectacle of theory become a hot point concerned, investigate its reason is that the theory also has the dual nature of social criticism and visual cultural criticism. Actually, "spectacle" as the psychological demands of human existence in social practice form, if used in the artistic creation, "spectacle" should have more rich texture lasting appeal. In terms of Chinese film, spectacle of the native process influenced by Chinese traditional culture and realistic factors.
Director Jiang Wen's meaning of the movie industry in China. Especially now the market investment and box office returns become creators have to concern the field of ethics,Jiang Wen, with his usual confidence and in the creation of personal growth experience of pleasure. Jiang Wen works free from vulgarity, thrilling in audio-visual sound painting, dedicating story text, narrative skill, four aspects presents the classic movie the unity of ideological content, artistic and ornamental. Audience feeling strong audio-visual shock and stimulation of psychological experience at the same time, also caused the ideology, value idea, the reflection of living conditions, etc. Director Jiang Wen work is a milestone of the Chinese movie industry, urging people to rethink the spectacle of the nature of film, ideal handed down and its significance.
Key Words：Jiang Wen Spectacle Context revelation
