摘要：古筝“摇指”是古筝演奏中的一种重要技巧,在不同流派的音乐作品中“摇指”有着不同的演奏方法。在运用这些不同“摇指”时,从技巧上讲这些不同“摇指”的基本意义是相同的,但在演奏中“摇指”体现的情感意义是比较主观的，由音乐创作者和演奏者决定。古筝“摇指”从产生发展到现在经过不断地创新改革，并吸取各种弹拨乐器之长形成了自己独特的演奏技巧，从而使筝曲的表现力和演奏技巧更近一步。“摇指”技巧中，大指摇是最常用的指法，在本论文中笔者着重研究了大指摇。
关键词：古筝; 摇指; 技巧练习; 大指摇
Abstract: “Shake that” guzheng zither is an important skill in, in different genres of music works“ shake that” has a different playing method. In the use of these different“ shaking fingers”, technically these different“ shaking fingers” basic meaning is the same, but in the performance of“ shake that” reflect the emotional significance is more subjective, consisting of music creators and performers decide. Zheng“shaking fingers”from the beginning to now through continuous reform and innovation, and draw a variety of string instruments long formed his unique playing technique, so that the zheng music expressive force and playing technique of one step closer. “ Shake that” skills, thumb shake is the most commonly used fingering, in this thesis, the author focuses on the thumb roll.
Keywords: Guzheng； Finger shake； Skills practice； Big wave
