摘要:2001年，毕飞宇发表了中篇作品《玉米》，这是继《青衣》之后的又一部以女性为重点描写对象的力作。《青衣》描写的是一个京剧演员筱燕秋对艺术的狂热追求，一路上饱经艰辛，直至遍体鳞伤的故事，毕飞宇对一个京剧演员的心理把握得丝丝入扣。此次毕飞宇将目光聚焦在70年代农村的女性身上，写她们最简单最朴实的生活，大到婚丧嫁娶，小到柴米油盐，从大大小小的事件中刻画出一个个鲜活的女性形象。然而在那个男尊女卑、男强女弱、“男主外，女主内”社会里，她们是祭台上的牺牲品，不可或缺又充满悲剧，令人同情又引起深思。2010年度英仕曼亚洲文学奖授奖辞这样写道：对文革时期中国家庭和乡村生活进行了一次激动人心的探索，作家在一个扣人心弦的家庭冲突和爱情故事中，天衣无缝地游走于史诗般的宏大叙述和深入细腻的描写之间，既气势磅礴又精妙细微，不仅勾勒出个体的生活，同时还呈现了整个社会的全貌。本文以作品《玉米》系列为例，分析作品中的女性形象，并对这些女性形象的特点及成因做深一步的思考与分析。
关键词：《玉米》；女性；形象
Abstract: In 2001,Bi Feiyu published his works《Maize》,this is another novel after the《Dramatic role of Tsing Yi》, it is a novel describing Beijing Opera actress Xiao Yanqiu’s crazy pursuit for art. She covered all over with cuts and bruises, Bi Feiyu has a good grasp of actress. Bi Feiyu's work focus on the women in the 70s. They write the most simple life, from weddings to fuel, from the large and small events depicted vivid female images. However in the so called "men are stronger than women, male advocate outside, female advocate inside" society, hey are the victims of the altar, indispensable and full of tragedy, sympathetic and caused reflection. The Asian literature of 2010 in terms of the work writes: The writer had a exciting exploration for the period of cultural revolution of Chinese family and country life, the writer had a good control for a thrilling family conflict and love story. The novel not only draw the outline of the individual life, but also presents the whole state of the society. In this paper the work 《Series》 will analyze as an example, I will also analyze the callipygian and the cause of the current situation.
Key words: corn; female; figure
