摘要：《聊斋志异》里有很多篇幅是写女性的，有写狐女的，写孤女的，写侠女的，写市井妇女的。那些挣扎于封建底层的女性是以何种不同的形象来诠释本身存在的意义，让后人在很多年后还能将她们的性格形象流传开来。这些女性多是个性鲜明，有些大相径庭，有些却是大同小异，但对后人却是影响深远的。她们性格天真烂漫，纯洁无暇，桀骜不驯，活泼开朗，既有人间女子所不敢有的野性真性情，又有人间女子静若处子般温驯而不失自然的品性内涵。她们大多抛开了世俗杂念，挣开沉重的封建礼教的大枷锁，去大胆地追求爱情，自由地诠释婚姻，自尊自强自爱，无一不显示真善美的德操，返璞归真的性情。渗透在这些具有人类发展先进性的领头军形象里，可以接触到在那双层压迫下女性思想解放的心跳。
关键词：《聊斋志异》；女性；思想；意义；形象
Abstract：《Strange Stories from a Chinese Studio》there are a lot of space is female, some female fox, writing of a lonely woman, write girl, write the women. Those who struggle to feudal bottom women are the different image to interpret the meaning of existence, so that future generations in many years later also will declare their personality image spread. These women are distinct personality, some be quite different, some are very much the same, but for future generations is far-reaching. The character of their naivete, pure, wild and intractable, cheerful and lively, has the woman did not have the true nature, and a human woman static if the virgin gentle and yet natural character connotation. They are mostly from the worldly distractions, and heavy feudal big chains, bold pursuit of love, freedom of interpretation of marriage of self-esteem, self-love, demonstrates a good moral, recover one's original simplicity temperament. In those with human development advanced leader image, can be contacted in the double layer under the oppression of women emancipation.
Key words：《Strange Stories from a Chinese Studio》;Female; thought; significance; image
