摘要：作为中国70后导演中的生力军，张猛在国产电影中，以小成本精良制作博得非常好的口碑，成为佼佼者。2011年，他指导的《钢的琴》被誉为2011年度口碑第一片，给2011年的中国电影界乃至国际电影界带来了不小的轰动，电影在上映前就获得了众多奖项，上映后更是得到观众的一致好评。电影的成功，使得张猛成为继陆川、宁浩之后，中国内地70后导演中的又一匹黑马。
电影是声画视听相结合的艺术，在电影的各种构成元素中，影视表现手法是最具有表现力和富于魅力的重要因素之一。一部作品取得成功，有很多方面的原因。但就其电影自身因素来说，主要取决于两个方面：一是讲的什么故事，二是如何叙述这个故事。在当今中国国产电影表现手法水平较低，电影市场低迷的情形下，张猛的电影获得观众如此高的评价，原因就在于他选择了一个好故事并且用独特的方式讲述故事，给自己的电影树立了个性鲜明的招牌。
张猛的两部电影作品，无论是带有传统中国作风与中国气派的喜剧电影《耳朵大有福》，还是被称为“2011口碑第一片”的《钢的琴》，都以其独特的表现手法，把观众的吸引力聚集到中国现实社会和处在社会底层的草根人物，将他们的这群人的生活状态活灵活现的展现在了观众眼前。
透过电影表现手法的背后，我们看到张猛他对电影的艺术性的努力寻求——不跟随商业潮流中的媚俗，又贴近群众不曲高和寡；他建立了电影表现的品格，站在对社会的审视、对人生的思索以及重建精神文化的高度去表述构建伦理道德，去表达真善美的精神理念。
关键词：张猛； 影像叙事； 现实主义
Abstract:The new force in China 70 after director Zhang Meng domestic films, excellentproduction of a small cost to win a very good reputation, to become a leader. In 2011, he directed "Steel Chin" known as the first piece of the 2011 word of mouth, the 2011Chinese film industry and even the international film industry has brought quite a stirbefore the release, the film received numerous awards, released more acclaim from the audience. The success of the film, Zhang Meng as director of the mainland of China 70 adark horse after Lu Chuan, Ning Hao. The film is the art of sound and picture audio-visual combination of the variousconstituent element of the movie, the film technique of expression is the most expressive and charismatic factor. A work is successful, there are a lot of reasons. Its film itselffactors, depends mainly on two aspects: First, talk about what the story is how todescribe this story. In the case of the lower level of performance practices of today'sChinese-made movies, the film market in the doldrums, Zhang Meng of the film was such a high evaluation of the audience, the reason is that he chose a good story and telling stories in a unique way to own movies establish a distinctive sign. Zhang Meng of the two films, both with traditional Chinese style and Chinese style ofcomedy film "big ears blessed," or known as "the first piece of the 2011 word of mouth"steel piano, with its unique performance approach, the attractiveness of the audiencegathered in the Chinese social reality and grassroots figures at the bottom of society, theliving conditions of these people show in vivid audiences. Performance behind the practices through the film, we see Zhang Meng, his artisticefforts to seek the movie - not to follow the commercial trend of kitsch, the masses do nothighbrow; he established the character of the film's performance, standing on the community look, build ethics, to express the spirit of the idea of the good and the beautiful go of thinking of life as well as the height of the reconstruction of the spiritual and cultural representation.
Key words: Zhang Meng; image narrative; realism
