摘要:真实是纪录片的本性，是纪录片的生命，是纪录片在创作过程中不容忽略的一个特性。关于纪录片的真实性，从1895年卢米埃尔的第一部纪录影片《工厂的大门》诞生开始，至今一直争论不休。纪录片在不断发展的过程中总是呈现着不一样的特点，虽然很多学者对纪录片真实性的评判标准有着不同的看法，但是所有纪录片人对真实性追求的脚步从未停止过，纪录片的真实创作手法也在不断的丰富。《遥远的亲情——中国农民工的冬天》是一部反映现实社会现象的纪录片，它用朴实的内容感动观众，用长镜头来讲述故事，用同期声传达思想和感情，用蒙太奇来表现艺术价值。以下通过对镜头运用、画面的创造性组接、声画关系的分析，来分析影片所表现的真实。
关键词：真实；农民工；跟踪拍摄；长镜头；解说词；同期声
Abstract:Truth is a documentary nature, Is the life of the documentary, Is a feature documentary in the creative process can not be ignored. About the authenticity of the documentary,Lumiere's first documentary film from 1895 "factory gate" birth, Has been debated. Always in the process of constant development, the documentary presents different characteristics, Although many scholars have different views on the criteria of documentary authenticity, All documentary has never stopped, the footsteps of the authenticity of the pursuit of,The real creative approach of the documentary are constantly enriched. “Distant family - the winter of Chinese migrant workers "is a documentary to reflect the reality of social phenomena,It moved the audience with a simple content, To tell a story with a long lens,Paralanguage convey the thoughts and feelings, Montage to the performance of artistic value. Following through the use of the lens, then the picture of the creative group, the sound and picture analysis of the relationship, To analyze the performance of real film.
Keywords: True; Migrant workers; Tracking shot; long shot; commentary; Paralanguage
纪录片承载着传递历史与人文价值的社会功能，它不仅为人们开启一扇认识世界的窗口，也为后人留下一份影像资料。真实性是纪录片的生命，是纪录片的灵魂。在纪录片创作中，纪录片的创作者在吸引观众眼球的同时，也应该以一种严肃的态度处理好主观创作与客观事实的关系。假如纪录片忽略了对真实性的追求，而将娱乐大众作为纪录片选择信息的标准，那么纪录片也就失去了其存在的价值，也显现不出它的人文价值，审美价值及其文献价值，也就不能算作是真正的纪录片。只有将真实性一直延续下去，纪录片的发展才会走得更远。
